23 December
2002
Badishes
Tagblatt, Germany
It is the
fourth concert season for the Baden Baden Philharmonic orchestra under music
director Werner Schtiffel. In the sold
out Wienbrenner Saal Yuri Rozum, pianist from Moscow, was the soloist in Sergey
Rachmaninov’s gigantic 3rd piano concerto, which is feared by many
pianists.
(…) During
this concert season with Mozartiana of Tchaikovsky the emphasis was on Russian
music. Rachmaninov composed his 3rd piano concerto for his first
tour of America in 1909 where it was a huge success during its New York
premiere with Rachmaninov himself as a soloist. The work was loved both by the
public and musicians alike. Its extremely difficult virtuosity is paired with
formal clarity and musically alive expressive power. This piano concerto
excited many pianists above all the legendary Vladimir Horowitz who was known
as an “acrobat of the keyboard” and who interpreted the piece intelligently,
wildly and burningly. Pianist Yuri Rozum needed not to fear any great
predecessors. In the first sounds of the simple introductory theme in the piano
part his playing was convincing and left nothing more to be desired in
concentrated virtuosity and intensely and deeply felt musical liveliness.
Especially noticeable was the extraordinary collaboration between the
conductor, orchestra and soloist. Sometimes Rozum played “blind”, his gaze
locked attentively on the beats of Schtiffel. With pearl-like lightness he
accompanied orchestral melodies and in the dramatic scenes he attacked the
keys, however never over aggressively.
The soloist turned the three great solo cadenzas into true storms of
sounds.
How
comforting when they were then taken up quietly by solo flutes and wood winds.
The listeners experienced forioso in
contrast with melancholy songfulness – the so-called characteristic two sides
of the Russian soul. It was like magic… The public was very enthusiastic and
despite “the hard work” that Rozum had put into the gigantic concerto, with
undiminished ability to keep the audience in suspense he performed
Rachmaninov’s solo piano compositions as magnificent encores.